The Recent Migration of Moving Image Art: Public Sphere In Between the White Cube and the Black Box ↗Quarterly Review of Film and Video, vol. 43, no. 3, pp. 560–578. 29 June 2026.

Spectres of War in Deimantas Narkevičius's Legend Coming True and Sergei Loznitsa's Reflections Acta Universitatis Sapientiae: Film and Media Studies, vol. 21. June 2022.

Into the Unknown Known: Images of Depersonalized People in Post-Socialist Found Footage Films ↗Found Footage Magazine, vol. 8. October 2022.

From Global to (G)Local: Window View in Artists' Films Before and During the Pandemic Moving Image, no. 1. Seoul, October 2021.

Forays into the Anthropocene: Artists' Films in Time After Nature ↗MMCA Studies, National Museum of Modern and Contemporary Art, Seoul. 2020.

Icy Water, Acid, and Free Forests: The New Ecocinema from East-Central Europe ↗With Masha Shpolberg. Apparatus, no. 10. Fall 2020.

Eco-Critical Films by Emilija Škarnulytė ↗The Cine-Files, no. 14. Spring 2019.

Whose Perspective Is This? A Few Thoughts on Eija-Liisa Ahtila's Studies on the Ecology of Drama ↗NECSUS. Autumn 2017.

Cinematographic Animal: From Anthropomorphization to Zoomorphism PDFAthena: Philosophical Studies. 2016.

A Broad Family of Images: André Bazin on the New Media of His Time ↗Screening the Past, no. 39. 2016.

Implications of Found and Archival Footage Cinema to the Re-evaluation of Historical Narrative: A Case Study of Revue by Sergei Loznitsa ↗Acta Academiae Artium Vilnensis, vol. 64. 2013.

Non-Representational Cinema: André Bazin and Gilles Deleuze ↗Religion and Culture, vol. 11, Vilnius University. 2013.

Elemental Mediations: Sea, Land, and Spiritual Technologies in the Films of Jane Jin KaisenIn: Currents and Faultlines, Mousse Publishing with the Royal Danish Academy of Fine Arts. Forthcoming.

Myth and Materiality: Emilija Škarnulytė's Entangled MermaidsIn: Emilija Škarnulytė, Tate Publishing. Forthcoming.

Preface ↗In: Salomé Lamas: Parafiction II (Selected Works), Mousse Publishing, July 2026.

Techno-Natures in Works by Contemporary Moving-Image Artists ↗In: Expanded Nature: Écologies du cinéma expérimental, Light Cone Editions, 2022; English edition, Palgrave Macmillan, 2025.

From Water to Wind: Elemental Critique in Recent Eastern European Video Art ↗In: Cinema and the Environment in Eastern Europe: From Communism to Capitalism, Berghahn Books, 2023.

In Between Hauntology and Representation: Specters of War in Sergei Loznitsa's Reflections and Deimantas Narkevičius's Legend Coming True ↗In: Everyday Representations of War in Late Modernity, Palgrave Macmillan, 2022.

Vision Machine and Modern Warfare: Visualizing Invisible Powers of Images in Harun Farocki's and Hito Steyerl's Films ↗In: Everyday Representations of War in Late Modernity, Palgrave Macmillan, 2022.

Eco-Critical Strategies in Moving-Image Art by Emilija ŠkarnulytėIn: In Focus: Women in Lithuanian Cinema and Video Art, LAPAS Press, 2021.

From Myth to Reality: Images of Domestic Space in Post-Soviet Baltic Films ↗In: Film & Domestic Space, Edinburgh University Press, 2020.

Between Fiction and Reality: A Few Thoughts about Cinematic Animal Worlds ↗In: Animal, Human, Robot, MO Museum, Vilnius, 2019.

Film Archive and Memory of History ↗In: Film and Philosophy, Vilnius University Press, 2014.

The Possibility of Non-representational Realism: From André Bazin to Nowadays ↗In: Film and Philosophy, Vilnius University Press, 2013.

Cinema in the Age of Television and New Media: From Movement of Images to Moving SpectatorsIn: A Short Film History: From the 1940s to the Present, VKS Press, 2013.

Architecture of Space in the Films of Apichatpong WeerasethakulIn: A Short Film History: From the 1940s to the Present, VKS Press, 2013.

Philosophy of Béla Tarr's CinemaIn: A Short Film History: From the 1940s to the Present, VKS Press, 2013.

The Stories of Ordinary People in Films of Aki KaurismäkiIn: A Short Film History: From the 1940s to the Present, VKS Press, 2013.