What Images Withhold: Film Form and Public Sphere ↗e-flux Film Notes. 10 September 2026.

I Don't Want To Be a Film Director: Béla Tarr's Art of Refusal ↗e-flux Notes. 23 January 2026.

Has the Arrow Never Left? ↗In: Homelands: Perforation, Ellipse, Alison Nguyen, Storefront for Art and Architecture, New York, 2026.

Eternalisms of the Nervous System: Ken Jacobs ↗e-flux Notes. 15 October 2025.

Cinema and Séance ↗e-flux Journal. 15 September 2025.

Pierre Huyghe's 'Liminal' ↗e-flux Criticism. 19 June 2025.

From Tarkovsky to AI: On the Evolving Resonance of Solaris ↗As A Journal. April 2025.

Jonas Mekas's Requiem ↗e-flux Criticism. 24 July 2024.

A Brief History of the Cosmos in Cinema ↗e-flux Journal, no. 142. 24 February 2024.

Pyrotechnics of the Dream: Remembering Films by Kenneth Anger ↗e-flux Notes. 5 June 2023.

An Expanded Cinephilia ↗e-flux Criticism. 27 January 2023.

Remembering the Art of Michael Snow ↗e-flux Notes. 9 January 2023.

Review of the 18th Camden International Film Festival ↗Art Agenda. 18 November 2022.

How Moving-Image Artists Investigate the Era of 'Alternative Facts' ↗Frieze, no. 122. October 2021.

13th Shanghai Biennale: Bodies of Water ↗Art Agenda. June 2021.

Hope in Despair, and Beauty in Revulsion: Trudno byt' bogom ↗Senses of Cinema, no. 85. December 2017.

What Is New about 'New Europe' in Contemporary European Cinema? ↗Senses of Cinema, no. 80. September 2016.

Historical Contingencies in Šarūnas Bartas's Early Films ↗East European Film Bulletin, vol. 70. December 2016.