Transcendental Cinema Today. SCMS. 2027. Submitted Panel Proposal.

Eco-Conscious Aesthetics as Research: More-Than-Human Perspectives in Artists' Films. SCMS, Denver. April 2023.

Air and Wind: Elemental Relations as Critique in Artists' Documentaries, Visible Evidence, Frankfurt. December 2021.

Reversed Point of View: Human and the Anthropo(s)cene in Baltic Documentaries, ASEEES. November 2020.

From Water to Wind: Elemental Critique in Recent Eastern European Video Art ↗NECS, Gdańsk. June 2019.

Environmental Memories of the Cold War in Moving-Image Art Art in the Anthropocene, Dublin. June 2019.

Objects and History on Film: Performing Cold War Past Eco-critically, ASEEES, Boston. December 2018.

Mermaid with a Movie CameraNECS, Amsterdam. June 2018.

Eco-Cinema Beyond Point of View: Affective Images of Hyperobjects and Ontological Po(e/li)tics Posthumanism Research Institute, St. Catharines. April 2018.

Non-Human Perspective and Cinematic Meshwork in Béla Tarr's Films, SCMS, Toronto. March 2018.

Sensorial Reconsideration of Materials in Films by Lithuanian Contemporary Artists, NECS, Paris. June 2017.

On the Possibility of Object Position Film Theory, SCMS, Chicago. March 2017.

Haunting Spaces: Socialist Urban Space in Recent Post-Soviet Films from the Baltic Countries Space and Cinema, Lisbon. December 2016.

Temporal Realism in Lithuanian Documentary Films of the Early 1990s. The Real of Reality, Karlsruhe. November 2016.

Reenactment of Cinematographic Past: Complex Temporal Objects Between Cinema and Contemporary Art. Film-Philosophy, Edinburgh. July 2016.

Cinematic (Re)Turn to Documentary Archives: New Historicities in Post-Socialist Found Footage Films CICOM TiMeDoc, Pamplona. June 2016.

Post-Historical Space through Lenses of Moving Camera. SCMS, Atlanta. March 2016.

Representation of Present-day Inhabitants of Socialist Urban Space in Post-Soviet Films from the Baltic Countries Film & History, Madison. November 2015.

Reconsideration of Materiality of Monumental Memory in Films by Contemporary Artists from the Baltic Countries Mnemonics, London. September 2015.

Temporal Dimension of Nonrepresentational Realism in Early Films by Šarūnas BartasThinking Reality and Time through Film, Lisbon. May 2014.

Re-edited Images from the Communist Film Archive: Possibilities for New Interpretations of the Recent Past Visible Evidence, Stockholm. August 2013.

The Archival (Re)Turn: New Imagery of Soviet People in Post-Soviet Compilation Films Film-Philosophy, Amsterdam. July 2013.

A Short History of Non-human Cinema Kaunas International Film Festival, Kaunas. September 2012.

On the Possibility of Non-representational Film RealismReligion and Culture, Vilnius. May 2012.

Post-production of the Past: Moving Images as Smooth or Monumental MemoryCritical Themes in Media Studies, New York. April 2012.