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    Objects and History on Film. Performing Cold War Past Eco-Critically. A paper presentation at the 50th Annual ASEEES Convention, Boston Marriott Copley Place, USA. 7 December, 2018.

    Mermaid with A Movie Camera. A paper presentation at NECS International Conference, University of Amsterdam (UvA), Amsterdam, Netherlands. 27 June, 2018.  

    Eco-Cinema Beyond Point of View: Affective Images of Hyperobjects and Ontological Po(e/li)tics. A paper presentation at “Expressions and Images of the Posthuman”, a workshop organized by Posthumanism Research Institute at Brock University, St. Catharines, Canada, 15 April, 2018.

    Non-Human Perspective and Cinematic Meshwork in Béla Tarr's Films. A paper presentation at SCMS International Conference,  Toronto, Canada. 14 March, 2018.

    Sensorial Reconsideration of Materials in Films by Lithuanian Contemporary Artists. A paper presentation at NECS International Conference, Université Sorbonne Nouvelle, Paris, France. 21 June, 2017.              

    On the Possibility of Object Position Film Theory. A paper presentation at SCMS International Conference,  Chicago, USA. 24 March, 2017

    Haunting Spaces: Socialist Urban Space in Recent Post-Soviet Films from Baltic Countries. A paper presentation at the international conference “Space and Cinema". University of Lisbon. Lisbon, Portugal. 1 December, 2016.

    Reenactment of Cinematographic Past: Complex Temporal Objects Situated Between Cinema and Contemporary Art. A paper presentation at the international conference “Film-Philosophy". University of Edinburgh. Edinburgh, Scotland. 6 July, 2016.

    Cinematic (Re)Turn to Documentary Archives: New Historicity(-ies) in PostSocialist Found Footage Films. A paper presentation at XXXI CICOM TiMeDoc Conference: Time and Memory in Non-fiction Cinema. Universidad de Navarra, Pamplona. Spain. 22 June, 2016.

    Post-Historical Space through Lenses of Moving Camera. A paper presentation at SCMS International Conference,  Atlanta, USA. 20 March, 2016

    Representation of Present-day Inhabitants of Socialist Urban Space in Post-Soviet Films from Baltic Countries. A paper presentation at Film&History conference (theme: Journeys, Detours, Breakdowns, Panel: Post-Socialist Cinema I: Out of the Past?). University of Wisconsin-Madison, Madison, WI, USA. 7 November, 2015.

    Reconsideration of Materiality of Monumental Memory in Films by Contemporary Artists from Baltic CountriesA paper presentation at Mnemonics Conference. King’s College London, England. 10 September, 2015.

    Temporal Dimension of Nonrepresentational Realism in Early Films by Sarunas Bartas. A paper presentation at the international conference Philosophy and Film: Thinking Reality and Time through Film. The University of Lisbon, Portugal. 6 May 2014. 

    Re-edited Images from the Communist Film Archive – Possibilities for New Interpretations of the Recent Past. Presentation at the international film studies conference “Visible Evidence”. A panel: “Post-Communism and the Politics of Memory”, Stockholm University, Sweden. 16 August 2013.

    The archival (re)turn: New imagery of Soviet people in post-Soviet compilation films. Presentation at the international film studies and film philosophy conference “Film-Philosophy: Beyond Film”. A panel: “Re-writing Film History”,  Amsterdam School for Cultural Analysis (University of Amsterdam), Netherlands. 10 July 2013.

    On the Possibility of Non-representational Film Realism. Presentation at the annual interdisciplinary conference “Religion and Culture”. A panel: “Philosophical Researches of Film Art” (the panel’s chair: Jūratė Baranova, PhD), Vilnius University, Lithuania. 5 May 2012.

    Post-production of the Past: Moving Images as Smooth or Monumental Memory. Presentation at the Annual Graduate Student Conference “Critical Themes in Media Studies”. A panel: “Cinematic Experience and Memory Sense“ (the panel’s chair: Sam Ishii-Gonzalez, PhD), The New School University, NY. 15 April 2011.